MV Review | Lee Michelle - I Can Sing

The song

The guitar sounds good and groovy. I kinda like it. Her vocals were on point.

Now I don't understand why she didn't do a vocal performance thing on this song...you know, she says "I can sing" so that's what you could expect, a girl who would sing the hell out of this song, you know what I mean? 

Why did she make her "doom doom" part so short (from 1:25 to 1:35) ? THAT was the best part of the song to me, she was doing some RnB singing and I was like "yes, go ahead girl!" and then she sang the chorus and then rapped...you can sing girl, but why rapping? She's not bad at it, but c'mon, all of a sudden, a rap part...it didn't really suit the classy and groovy character of the song, in my opinion. 

This song was too soft, too "good girl" to me...when it could (should?) have been fierce and memorable.

It's a good song, but for the most part Michelle's songs sound too standard, too safe. They're not really exciting. But they probably sound like her, to be honest. She's said before that she's not adventurous or something like that. She's simple, and there's nothing wrong with that. But as a new artist trying to break into a saturated and highly competitive music industry (Kpop), you would expect her to show us something different in order to stand out, and be more visible in a sea of pale-skinned, thin sexy young women. 

Well, YES, she already stands out. She's thick, half black and doesn't show skin. She doesn't dance and she didn't dye her hair blond with blue contact lenses. Good. But still, music-wise her song is not outstanding; emotionally, vocally and visually.

She preferred to keep it cool and low-key, almost like an accoustic song.

The visuals

It's not a bad idea, it doesn't put Lee Michelle in the spotlight, you can see her but it's very subtle and sober with a playful light. I do worry a little bit about the reason being that she's not the "conventional Korean beauty"...which might be why they don't put day light emphasis on her face and body.

There are seats in front of her, but nobody is sitting to watch her sing. How sad you'd say, but that's interesting, she knows she's not super famous, she knows she has few fans and is just debuting as an artist. She's (still) introducing herself and proving herself.

I like that she doesn't look thin. She has nice legs. Her outfit is good but it kinda makes her look older or too serious. The necklace is great, the pants and shoes too. 

But it saddens me a little to see her hair like that. Korean hairdressers don't really seem to know how to handle kinky or frizzy hair (cf. Michelle's promotional pics). Now, she probably doesn't give a shit about that, she's probably fine with her hair this way, and if that's the case then I shouldn't say anything. 

MV Review | Cheetah - My Number

I wouldn't say that I was disappointed, I didn't have expectations to begin with and I'm not a fan of her. Still, I know she's a good rapper as I've watched Unpretty Rapstar.

What do I think of this MV?

Too Kpop for my taste. Flashy colors, pink, yellow, no story. The only good point was the Pinky Cheeks dancers. Oh, that and the "men use half naked women as props, lemme do the same but with men on my promotional pic". That's how I understood it (I kinda like this tongue-in-cheek thing) though I also get a feeling of usng drags as props as in a way to make a buzz and get more views...
The song is "meh", I'm not fond of the saxophone and it's not catchy as a whole, no hook. The lyrics are basic. Cheetah's flow was kinda boring too, not much energy in it.

It's funny how Cheetah's fans reacted to this...they're all like "But why didn't she show all she can do? Why does this MV look Kpop and not Hip Hop or badass? She can do better!"

Lol. I get you folks. But Kpop doesn't give a shit about badass female rappers. If so you would have already seen solo badass female rappers on the mainstream scene (which means Kpop) and on the charts. But that's not the case, right? No, CL is NOT badass. She SAYS she is. Nuance.
Kpop has a mold and it wants all of its artists to fit in with a certain image, a certain sound. It's all about toning down the strong ones so that they can still be palatable to the mainstream audience, and hyping up the weak ones so that they look decent and kind of talented.

No surprise here. Cheetah's no exception to Kpop's mold. Though I must say I was a little bit surprised  that she decided to start off with pop instead of Hip Hop. Usually Hip Hop artists do it the other way....like a natural "evolution" as an artist (which means getting a bigger fanbase). But the thing is, why would she be seen as an Hip Hop artist? Because she can be kinda badass in reality TV show Unpretty Rapstar? As a matter of fact, AOA's Jimin did too. And she's an idol, she's not Hip Hop.
So, unless Cheetah releases a full Hip Hop album, I won't consider her a Hip Hop rapper. She'll just be a Kpop rapper in my opinion. Which is fine. I'm not talking about talent here. But there's a difference and we shouldn't mix the 2. Rapping doesn't equate Hip Hop. Period.
And to those who are already calling her "Queen" and "at Yoon Mi Rae's level"...folks, get real. She has released like ONE Kpop song, where's her album? Just wait for her to show consistency before snatching Tasha's crown.

My selection of dramas

I like watching dramas but I've become very selective now.
Here's my top 15 for Korean dramas and Japanese dramas.

South Korea
1. The End of The World
2. A Wife's Credentials
3. Dal Ja's Spring
4. White Christmas
5. It's Okay It's Love
6. Bridal Mask (Gaksital)
7. My lovely Sam Soon
8. Daughters of Bilitis Club
9.The Queen's Classroom
10. History of A Salaryman
11. Vampire Prosecutor S1& 2
12. Misaeng
13. I Need Romance 1

Future special mention (probably): Oh, and...I've been watching "Yoo Na's Street" so I'll finish this drama in July and see if I add it to my top 13.


Japan
1. Saikou no Rikon
2. Kazoku Game
3. Mondai no Restaurant
4. Soredemo, Ikite Yuku
5. Woman
6. Kazokugari
7. I'm Home
8. The Queen's Classroom
9. Nodame Cantabile
10. Doctor X (the 3 seasons)
11. Kimi wa Petto
12. Otoko demo Onna demo nai sei
13. Othros no Inu
14. Dragon Zakura
15. Date

Special mention: "Hirugao" and "Sutekina Taxi". They were entertaining and had a clear concept but not that great. I did like the creative theme (you know, when they pause the drama in the middle with the theme song), as well as the characters :) I enjoyed these 2 dramas, especially "Sutekina Taxi" because of the ending and the message, as well as the acting of the lead actor who was quite funny.
I'm going to watch "Iryu"...so be prepared for a future addition to my Top 13 :)

Not exactly in that order, but I really like all of those in that list.

Is it me or J-dramas have more of an emotional growth focus than K-dramas?

K-dramas are all about showing strong emotion: anger, jealousy, revenge, bitterness, humiliation, love, greed, worry, frustration...
But most of the time they don't openly focus on the emothional growth of the character... in romance genres and sometimes revenge genre too. It's like the Charming Prince will come our way and fix everyting just by being handsome and rich and clingy-stalkerish.

What I also like with J-dramas is that they don't always shy away from broaching some "delicate" topics...a serial killer couple that kills families, a family actually falling apart, moms cheating on their husband, feeling like your spouse is a stranger, sexism in the workplace, a woman who stock her years-old trash all over her house, a woman who hits her child, a female teenager who sleeps with middle-age men for money ...

What I also like is the novelty in choosing unusual personality/life experience types (a tall thin woman who's an overachiever who doesn't care about dating nor in love, NEET, Otaku, orphan, a girl who was born without a gender, a young mother who has cut ties with her mom, etc).
It doesn't happen all the time, but sometimes it does and it's refreshing.

As for K-dramas, I like the intensity when it's positive or well-conveyed. I also enjoy the little things displayed between a couple...like everyday life, it's cute, funny and relatable.

I do think that J-dramas kinda have this rigid, perfect recipe taste, it tastes good but not passionate (even if it tries to) nor very natural in general (though my Top 5 Jdrama list does have passion and rawness in my opinion). While K-dramas have an addictive taste that have strong (emotional scenes) and very bland flavors (OST, Chaebol memes, and unnecessary scenes) at the time, which makes you feel conflicted: bored, irritated and excited.

These days I've been more into Jdramas, maybe because I'm less patient and want to watch slightly less conventional dramas.

Review series | My selection - The powerful Korean female RnB vocalists

Part I-b) The powerful female vocalists: BONI | Ailee

I noticed that there are more Korean soul male singers than soul female singers. I wonder why. Or maybe I haven't searched enough. I have a theory: soul music requires sensuality, "exposure" (sort of) of your feelings, as well as mastering one's voice to be tough and powerful on demand. Young Korean women aren't supposed to do that according to society's expectations. The soft, cute, neutral, high pitch voice is what they tend to have massively. They do show sensuality with their bodies but not with their voices.

BONI 보니

Very clear voice, nice rythm and skilled. She's young and her music is old school RnB! I prefer her over Ailee because of her music.

BONI 보니

Korean RnB needs more women with powerful voices like her. Women can be strong in their vocals, but they can be sensual vocally and even sexual. Time will tell. BONI could work on her emotions when she sings, she has the potential for something more than strong vocals.
***

Ailee

Ailee 에일리

Her voice is very RnB, but can be pop as well, she is between somehow. her ease when she sings is remarkable, she's skilled. Like BONI, she needs tp work on using her emotions to move people when she sings.

Honestly, Ailee has a quasi "old-fashioned" Korean sound to me...like her voice is very modern and young, but her music is not fresh enough for my taste, aside from her songle "Heaven", the rest sounds non fresh. Besides, her songs just don't do it to me, unfortunately, it's too pop :(  Great vocalist though!!

***

Honorable mention:

Insooni 인순이

She has such a rich and deep voice. I love her low register. This woman is in her early 50s. Yes. She can SING, dance and captivate an audience. The way she sings is old school, of course, but she has this serene energy that makes her look cool even today. She's too pop sadly, her music is not really RnB.

***
BMK 비엠케이 (here's her wikipedia page)

Don't look at her weight, she's beautiful! Her voice is rich and deep like Insooni's but they sound different. BMK has her own touch and feeling in it. Like Insooni, her music is too pop balladish for my taste, and for this blog post as well. But I had no choice...I have to include them, no woman can outsing them with such power in Korea.

BMK 비엠케이

This is a track from her new mini album.

Underappreciated women in J-Hip hop

Here are 2 videos about women doing their thing in Japanese hip hop.

Why do I care? Well, you have lots of youtube videos named "the best Korean female rappers" but none about the Japanese ones, except the 2 I posted here. Weird, right? Hm, not really. Korea's idol scene has made rapping mainstream (not hip hop, mind you). Rapping is something that Korean big labels believe give instant hype and coolness to an idol group.
Anyway, the idol scene in Japanese is different, Johnnys (all male groups) rap but rapping is not common and visible in that genre (idol j-pop) for girls. The AKB chicks don't rap... I think...LOL yes, you have some pop artists like Ya-Kyim or Bennie K who rap but there's no "I'm the baddest chick" thing associated with it. It's all light-hearted, and you can't name many groups like them in Japan.

It's a pity that as a female rapper, you only have 2 choices to survive in the long run: be a part of an idol group, which means being on the side, just there for a couple of cheesy lines that you didn't even write yourself and having your image/attitude toned down and controlled by your manager who manufactures the whole group. Or, you can be a solo act, debuting in the underground scene but after 3 albums your label want you to step up the sales games and bring in that money (and I'm not even mentioning the potential obstacles within the macho and male dominated hip hop scene) so you have 2 options: quit or give in to mainstream pop and tone down your flow. Become a people pleaser while recording a couple of decent hip hop tracks once in a while. Sad, yes, that's reality for ya.

I'm also all for diversity of the representation of Japanese female musicians. They're not all super pale, with big eyes, they're not all conventionally "cute" with high pitch voices and singing about romantic love. Nah, they are very diverse and able to surprise you in a good way whether they are rappers or rockers. I wish I were fluent in Japanese to understand the depth of hip hop lyrics from these women (in the videos here)...

I'm trying to understand why Yoon Mi Rae (the Queen of Korean hip hop) has been able to survive musically for so long.
Part of her long success is thanks to her singing skills and debut in a duo unit with a full Korean singer. YMR sings pop ballads and raps (and danced a bit too but no more now), so she gets more feats and options than others. Still, I wonder what she'll release soon...she's been releasing a single a year or so without backing them up with a proper album so yeah...probably a CD with lots of singing and a few rap songs in there, just like she did with her come back album Yoon Mi Rae in 2007 (or 2008?). While her male rapper peers all release full rap CDs, yeah with some mix of pop and electro in it I admit (so not fully hip hop). Still, they rap only, they don't really sing.
Having a kid does make you want to have some stability and good paychecks (and there's nothing wrong with that) so I understand the pop/electro sound of Yoon Mi Rae's latest songs (as well as her very slow activity to take care of her son), her flow still kicks ass and that's what matters. I understand that she might be at a turning point of her career and want to explore more as a singer or in certain genres different besides hip hop. It's legitimate and sometimes necessary to explore to go ahead and grow as an artist. Still, I think she should rap more for her next album and do featurings with singers. I'm sure she has plenty of things to rap about.